Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head? An effective auto gain mechanism automatically compensates for changes of perceived loudness while operating the EQ and last but not least, semi-intelligent signal analysis options allow matching the input signal’s spectrum against a pink noise reference or automatically setting the HP and LP filters according to the signal’s audible bandwidth.
The EQ bands, in particular, include an elaborate nonlinearity inspired by the musically beneficial side effects found in inductor filter technology. Six powerful parametric filter bands give precise access overtone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.Īll filters except HP and LP operate in a parallel EQ configuration. Specifically developed for the audio mastering engineer, no compromises have been made to deliver exceptional musical flexibility and audio fidelity.īehind an intuitive user interface hides as a staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Now it has up to 8x oversampling option if your system can take that CPU LOAD, Select your oversampling choice to get the more ” ANALOG ” Sound. In Black Q Version 2, Tone Empire have also introduced ” OVERSAMPLING “. The next part was to make this plugin as processor efficient as possible so it could be used as a tracking plugin with very low latency and also allow one to run multiple instances of it effortlessly. These choices make it possible to use this EQ on a variety of sound materials from Drums to Vocals, Piano, String Instruments, Bass, Synths and as a mastering unit itself. TYPE A gives you a great “FULL” sound including a “Big” Low end and TYPE B gives you a crunchier mid/high enhanced sound. Tone Empire recently brought a vintage unit to life by building the hardware version over 6 months, changing tubes, transformers and signal paths. V2 now features overlapping bands and new frequency ranges as well as oversampling for more “analog” behaviour.
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